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翻訳と辞書　辞書検索 [ 開発暫定版 ] スポンサード リンク Carmelita Tropicana ： ウィキペディア英語版 Carmelita Tropicana Alina Troyano, better known as Carmelita Tropicana, is a Cuban-American stage and film actress who lives and works in New York City. In 1999, she received an Obie Award for Sustained Excellence in Performance. She is the sister of the independent film director Ela Troyano, who directed ''Carmelita Tropicana: Your Kunst Is Your Waffen''. Both form part of the alternative arts scene in the East Village and Lower East Side. Tropicana started her career in the early 1980s performing at the WOW Café Theater (a woman's theater collective) and now performs extensively in spaces such as Performance Space 122 and Dixon Place.〔(WOW Café Theater Story ), ''WOWCafe.org''. Retrieved 23 September 2012.〕 In 2010, Tropicana served as a co-hostess to Vaginal Davis' performance piece "Speaking from the Diaphragm" at Performance Space 122. Tropicana often collaborates with her sister and with other performers such as Marga Gomez. Tropicana is openly lesbian.〔Carr, C. ("Two Latinas, Two Lesbians, Two Laff Riots." ) ''Village Voice'' 8 October 2002. Retrieved 23 September 2012.〕 She is the author of a collection of performance pieces and short essays called ''I, Carmelita Tropicana: Performing between Cultures'' that includes four performance scripts, a screenplay, and three essays.〔Troyano, Alina. ''I, Carmelita Tropicana: Performing between Cultures.'' Boston: Beacon, 2000. ISBN 0807066036〕 ==Criticism and Interviews== The performance art of Carmelita Tropicana has received considerable critical attention from scholars of queer latinidad and performance art, most notably José Esteban Muñoz and Yvonne Yarbro-Bejarano.〔Muñoz, José Esteban. “No Es Fácil: Notes on the Negotiation of Cubanidad and Exilic Memory in Carmelita Tropicana’s ‘Milk of Amnesia.’” TDR (1988-) 39, no. 3 (October 1, 1995): 76–82. doi:10.2307/1146465.〕〔Muñoz, José Esteban. ''Disidentifications : Queers of Color and the Performance of Politics''. Cultural Studies of the Americas 2. Minneapolis: University of Minnesota Press, 1999.〕〔Yarbro-Bejarano, Yvonne. “Traveling Transgressions: Cubanidad in Performances by Carmelita Tropicana and Marga Gómez.” In ''Reading and Writing the Ambiente: Queer Sexualities in Latino, Latin American, and Spanish Culture'', edited by Chavez-Silverman, Susana and Librada Hernandez, 200–217. Univ of Wisconsin Press, 2000.〕 She also published an autobiography, ''I, Carmelita Tropicana''〔Troyano, Alina. I, Carmelita Tropicana: Performing Between Cultures. Beacon Press, 2000.〕 In his text, ''Disidentifications'', Muñoz uses the work of Carmelita Tropicana to illustrate the ways "camp" and "''choteo''" function as distinct comedic modes of disidentification. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Carmelita Tropicana」の詳細全文を読む スポンサード リンク 翻訳と辞書 : 翻訳のためのインターネットリソース Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.